Table of Contents
- Andrea Barber Net Worth
- Andrea Barber Net Worth – How Much Does She Earn From Her Role As Kimmy Gibbler?
- Net Worth and Sources of Income
- Recently Released a Memoir
- Lori Loughlin pleads not guilty to new charges in college admissions scandal
- Candace Cameron Bure responds to Lori Loughlin’s college admissions scandal
- ‘Fuller House’ star Andrea Barber on her years of playing Kimmy Gibbler
- ‘Full House’ star Andrea Barber relives Kimmy Gibbler’s best moments
- Kimmy Gibbler Is All Grown Up: ‘Fuller House’ Star Andrea Barber on TV’s Iconic Weirdo
Andrea Barber Net Worth
Andrea Barber net worth and salary: Andrea Barber is an American actress who has a net worth of $2 million. Andrea Barber was born in Los Angeles, California and began her acting career as a child with guest starring roles on such television programs as, “St. Elsewhere”, “Crazy Like a Fox”, and “Fantasy Island”. In 1982, she as cast as Carrie Brady on the popular soap opera, “Days of Our Lives”. She appeared on the show for the next four years. She then played a recurring role on the series, “Our House”, before being cast in the role that would make her a household name, as Kimmy Gibbler on “Full House”. She would play the role from 1987 to 1995, when the series ended. She then chose to step away from acting, and went on to earn a degree in English from Whittier College, and a Master’s Degree in Women’s Studies from the University of York. She subsequently became the Director of International Programs at Whittier. Starting in 2016, Andrea has appeared as a main role cast member on the Netflix reboot “Fuller House”. Andrea was married to Jeremy Rytky from 2002 to 2014. They have two children together.
Andrea Barber Net Worth – How Much Does She Earn From Her Role As Kimmy Gibbler?
Having started her career at the age of 6 in one of the longest-running scripted-tv programs, Andrea Barber is nothing short of a terrific actress. To rake in cash that early, you’ve got to be remarkably good at what you are doing, and Barber had the required attributes in her. The gorgeous American actress, Andrea Barber’s net worth is estimated to be $2 million, which she has acquired from her long-running profitable career in the showbiz industry.
The youngest of three kids, Andrea Barber, was born in Los Angeles, California, on July 3, 1976, to Donald Barber and Sherry Barber. She received her degree in English from Whittier College and MA in Women’s Studies from the University of York, England. Barber’s ex-husband, Jeremy Rytky, had been married to her for 12 years and welcomed two children, Tate James Rytky and Felicity Ruth Rytky.
Net Worth and Sources of Income
The award-winning actress, Andrea Barber’s net worth is estimated to be $2 million, which she has amassed from her career in the acting department. Her early-start helped her establish a firm foundation as well as a good reputation in the industry. With gifted skills and talent, Barber has managed to achieve amazing feats in the entirety of her career.
Income from Television and Movies
The further you get away from yourself, the more challenging it gets. Portraying a character that isn’t in your comfort zone is challenging, and not everyone can pull it off. But being such a versatile actress, Andrea Barber’s earnings never faltered because of that reason.
She is probably most renowned for playing Kimmy Gibbler in the ABC sitcom Full House and reprising the same role in the prequel, Fuller House. We don’t have the exact numbers, but Andrea Barber’s salary from the series must be grand. According to the International Business Times, the Olsen twins used to pull in $10K per episode of the show, and the then 15-year-old Michael Campion used to rake in a sweet 15 grand per episode. That seems like quite some money for such young stars, and it’s nowhere close to what young stars start.
Apart from that, she has also landed other television roles, including one in Days of Our lives, Fantasy Land. The Twilight Zone, Growing Pains, and numerous others. Added to television is her impeccable movie acting skills. Barber’s resume is filled densely with acting credits, which helps her net worth a great deal and will continue doing so in the upcoming future.
Income from YouTube
YouTube serves as a great video-sharing website for many around the globe. Thousands monetize their stuff and get paid heavily for it. According to SocialBlade, Andrea Barber’s YouTube channel created on August 15th, 2018, has already gathered over 266K subscribers.
Clocking in at 15 million views, Andrea’s YouTube channel, where she uploads vlog-type videos, earns up to a maximum estimated earning of $64.5K a year. Hence we could confidently conclude that a fair portion of Andrea Barber’s net income comes from her YouTube channel’s ad revenue.
Recently Released a Memoir
Fuller House star, Andrea Barber, also released a new book named Full Circle: From Hollywood to Real Life and Back Again, highlighting the fact that she was active in showbiz for a certain period, and inactive for a while and then she stepped on the floor once again. In her memoir, she has elaborated on her struggles with anxiety and depression. On Andrea Barber’s Instagram is the link which directs fans to a website and allows them to purchase the book for a price of $13.50.
The reviews evidently say that the book is a work of art and a must-read. Barber has put her heart and soul into this book and promoted it on her social media and on her YouTube channel. Andrea Barber’s wealth is certainly going to spike up from this venture, and we wish her the best for her career ahead.
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Lori Loughlin’s former “Fuller House” castmates have felt her absence as they finish filming the show’s final season.
Andrea Barber, who plays Kimmy Gibbler, said Loughlin’s firing from the series was “very sad.”
“She was a big part of ‘Fuller House.’ She wasn’t in every episode, but her presence was definitely felt. We loved every single time she came on the set. So we have definitely felt her absence this season,” Barber said during an appearance on Us Weekly’s “Watch With Us” podcast.
Trending stories,celebrity news and all the best of TODAY. “Fuller House” stars Andrea Barber, Lori Loughlin, Bob Saget and Jodie Sweetin in a scene from the show’s second season.Netflix
Loughlin, 55, was dropped from the Netflix series in March after she was indicted for her role in the nationwide college admissions bribery scandal.
“We wish it wasn’t that way, and we wish she could be here because it definitely feels like there’s a hole in our hearts and a hole on our set,” Barber said.
“But we understand that this is the decision that was made, and we respect it. But she’s always in our hearts forever. Every time we step on stage, she’s in our hearts,” she added.
Lori Loughlin pleads not guilty to new charges in college admissions scandal
Nov. 4, 201902:02
Barber isn’t the only “Fuller House” star to express support for Loughlin. In separate appearances on TODAY, Bob Saget and Candace Cameron Bure, presented a united front. “I’ve already said that we are family, and we stand by each other,” Bure said.
Loughlin and her husband, fashion designer Mossimo Giannulli, 56, are accused of paying $500,000 to get their two daughters, Olivia Jade, 20, and Isabella Rose, 21, into the University of Southern California as fake athletic recruits.
The couple had previously pleaded not guilty to fraud and money laundering.
Last month, they plead not guilty to an additional charge of conspiracy to commit federal program bribery. The couple, who face up to 45 years in prison, waived their right to appear at a Nov. 20 arraignment.
The final season of “Fuller House” premieres in late 2019 on Netlix.
Candace Cameron Bure responds to Lori Loughlin’s college admissions scandal
April 2, 201900:27
It is the very last season of Netflix’s reboot, ‘Fuller House‘ and nobody wants to see them go.
The cast is no exception to that rule. It’s a bittersweet season after the network decided this would be their last season. Most of the cast have known each other since ‘Full House’ originally aired in 1987.
Last season Candace Cameron Bure directed her very first episode of ‘Fuller House‘ and this season, another cast member is joining the list of writing credits.
DJ’s BFF Kimmy Gibbler aka Andrea Barber is writing an episode for season 5! Just a few days ago, she posted a “happy” teary eyed photo to Instagram.
The caption read, “I’ll never forget this feeling. Holding a framed copy of my first script as a writer.” She continued, “given to me by our amazing execs at Warner Horizon – surrounded by the wonderful writers, cast, and crew that made it all come to life.”
IG: Andrea Barber
The Cast Give Their Congratulations!
This cast really is so close and sweet! Andrea’s TV daughter, Soni Nicole was thrilled for Andrea’s accomplishment.
“She did it. Andrea Barber was the ⭐️ of this week! She wrote an incredible script, along with the help of our Fuller House writers,” she said on Instagram.
Credit: IG Soni_Nicole
She continued, “It was so incredible getting to see Andrea in this position and getting to witness her genius in another light was inspiring! I’m so proud to be your tv daughter and our scene was one of the most special moments I’ve shared with you. Love you.“
DJ’s TV son also took to Instagram congratulating his ‘Fuller House‘ co-star. Elias Harger who plays Max on the Netflix series said, “So proud of Andrea for writing such a funny script for episode 513 of Fuller House! She’s so talented! (And I hear she’s got a book coming out soon, too.)“
Another Special Moment from Season 5
This whole season is filled with special moments. There is a very special guest star in one of the upcoming episodes. Candace Cameron Bure welcomed her only daughter, Natasha Bure on set to appear alongside her in one episode. And can we say, they look more like sisters than mother & daughter! Who’s with us?
Candace Cameron Bure and daughter Natasha in ‘Fuller House’ Season 5
Catch ‘Fuller House’ Season 5 on Netflix. An exact premiere date hasn’t been announced yet.
MORE ON FULLER HOUSE CAST
Val and Maksim Chmerkovskiy Coming Back to ‘Fuller House’ According to Candace Cameron
Candace Cameron Bure Takes Over Andrea Barber’s ‘Fuller House’ Vlog – Details Inside!
Michael Campion from ‘Fuller House’ Reveals How a Fan Can Get His Attention on Instagram – Exclusive!
Courtney Rose is an Entertainment Writer at Feeling the Vibe Magazine based in New York. Pop culture and rom-com obsessed. Studied Journalism and is up to date on all the latest entertainment news. For tips or comments, email me at [email protected]
Many fans know Andrea Barber as Kimmy Gibbler — the perky and upbeat next-door neighbor on “Full House” and its reboot, “Fuller House.”
After Barber’s real-life pregnancy, however, the actress struggled. In her upcoming memoir, “Full Circle: From Hollywood to Real Life and Back,” she talks about the two decades she took off between filming the two sitcoms and her off-screen challenges.
“I actually did a lot during those 20 years, including going through some pretty significant mental health struggles with my postpartum anxiety and depression,” she told TODAY Parents.
Barber, who is a mother to two kids, Felicity, 12, and Tate, 15, writes candidly in the memoir about how she dealt with anxiety from the time she was a child, often vomiting on the set of “Full House” before filming scenes. However, when she got pregnant with her children, postpartum depression wasn’t top of mind for the actress.
“It never even crossed my mind. Postpartum depression wasn’t really talked about a whole lot back then. I didn’t know of anyone else who had gone through it. I eventually came across Brooke Shields’ book on postpartum depression which helped me tremendously. She’s really the only person I knew at the time.”
Barber didn’t recognize the signs of PPD right away, as she didn’t experience it after the birth of her first child. She mistook the symptoms for general and seasonal anxiety, thinking it was nerves of having a newborn. It wasn’t until she was debilitated that she knew this was different than her anxiety with her firstborn.
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“I knew something was significantly wrong because it started spiraling. It started with throwing up every day and not being able to sleep at night,” she said. “Then I stopped eating except for maybe a banana a day and I lost a significant amount of weight. I eventually couldn’t get out of bed for several weeks and I couldn’t take care of my babies, which was another huge problem. That’s when I knew it was really bad.”
She contacted her general physician and he prescribed her with anti-depressant and anti-anxiety medication. The new mom was still breastfeeding and unsure of whether she could take the meds while nursing and called her daughter’s pediatrician for follow-up questions.
“She was the first person that really said, ‘I think you’re experiencing postpartum depression. As much as I advocate for breastfeeding, your health as the mother is more important than breastfeeding. You need to you need to do what’s right for you.’ And that’s kind of when it clicked in my head that this is a problem that’s bigger than me. I can’t just shove it under the rug. It’s going to affect my children as much or even more than it is affecting me. I needed to seek help. And I did.”
At the time, Barber had a newborn, a toddler, and her husband was in a brand new job at a law firm, stressed out and consumed with billable hours.
We apologize, this video has expired.
‘Fuller House’ star Andrea Barber on her years of playing Kimmy Gibbler
Nov. 28, 201805:26
“My parents just took me under their wing. I called them one day at 5 in the morning and said, ‘I can’t stop the world from spinning, I can’t get up out of bed and I don’t know what to do.’ They moved me, my children and my husband into their home so that they could take care of me and the children. Slowly, with that support system, plus the medication, plus finding a therapist who I really jived with, all of these things are what brought me back to optimal health so I could function again.”
In the beginning of her battle, Barber coped by keeping it a secret.
“I didn’t want to talk about it. My friends noticed I kind of fell off the face of the planet and were like, ‘Are you OK? What’s wrong? Why are you so silent?’”
She made excuses until she took to Facebook one day to address what she had been going through.
“Once I started talking about it, I felt this enormous weight had been lifted from my chest and I no longer had to keep it a secret. It was just a part of me and the people that love me and are close to me accept it. They don’t judge, they’re just like, ‘OK you’re Andrea — you’re funny, you’re sensitive, and you have anxiety.’”
The 43-year-old emphasizes the importance of reaching out to a friend or loved one you suspect is experiencing PPD and asking how you can help, from making a call to her physician to bringing over a meal.
“I think as women, we have a really strong intuition and I think you have to trust that intuition and look out for each other. When you’re in the throes of a deep depression, the last thing you want to do is reach out and ask for help and admit that there’s something wrong.
“Give yourself grace and don’t hate yourself,” Barber would like other moms to know. “I spent so long feeling like there was something shameful and wrong with me. I wish I had gone easier on myself and said, ‘You know what, this is a season. It’s a really, really tough season, and it will pass as long as you reach out for support and lean on that support and trust them when they say it will get better.’”
‘Full House’ star Andrea Barber relives Kimmy Gibbler’s best moments
Dec. 5, 201806:09
The following is excerpted from Full Circle by Andrea Barber, with permission from Kensington Books. Copyright 2019.
I AM NOT AN ATHLETE. I AM NOT AN ATHLETE. I repeat: I am not an athlete.
I think it’s a common misconception that people who are athletically inclined were born that way. I’m here to tell you the opposite. I don’t like sports. I actively hate football. Gyms make me visibly distressed.
But I do like to run. And that makes me a runner.
It wasn’t always this way. I never played sports growing up. “Acting” was my after-school sport. P.E. was a chore, and I was notably relieved when I was working on Fridays and could skip the dreaded “mile” test.
I did not (and still don’t) have an athletic build. I was always lanky and awkward; muscles weren’t something I appeared to have in my body. My mom signed me up for tennis lessons one summer in an attempt to instill a sense of fitness in me, but this lesson became not only a sad display of my lack of fitness, but also my lack of coordination. Double bonus!
Sports just weren’t me.
Full Circle: From Hollywood to Real Life and Back Again amazon.com $27.00 $20.28 (25% off)
Fast-forward to college, where I decided I was going to be on the women’s lacrosse team. Why? I don’t really know. It seemed like a cool thing to do. Those lacrosse gals seemed like badass chicks, and I wanted to feel as strong as they appeared. Plus, I had a couple of friends on the team and, as you may have already gathered, I am easily persuaded by friends.
So I ran out and bought all the equipment. I was fascinated by the lacrosse stick—what an unusual and curious apparatus! I lived on the West Coast, where lacrosse teams weren’t as prevalent as on the East Coast, which made the sport seem even cooler. I was ready to be. an. athlete!
I showed up for the first lacrosse practice on a cold Tuesday evening. I was pumped. Here we go! The coach announced that we were going to warm up with a two-mile run.
Blink. Excuse me?
The two-mile run was just the warm-up? Shit.
With panic surging through my veins, I ran the most painful twenty minutes of my life. I trailed behind the rest of the team, but somehow finished. When I was done, I did not collapse (yay!) but I did throw up (boo). And then promptly walked over to the coach to tell her I quit.
My entire lacrosse career began and ended in less than thirty minutes—just about the length of a sitcom episode.
I accepted what I believed to be indisputable. I was not, and never would be, an athletic person.
I was not, and never would be, an athletic person.
In 2012, Disney hosted their inaugural half marathon in and around the Disneyland theme park and the streets of Anaheim, California. The race would be geared toward women and was named after Disney’s beloved pixie with (fittingly) the ability to fly: Tinker Bell.
My friends were all over this and signed up on the first day of registration. They encouraged me to do the same, but I was not so easily convinced. I was intrigued, but never had I thought I could run thirteen miles. Me? The non-athlete? NO WAY.
Despite my self-doubt, I was curious enough to check out Disney’s Tinker Bell Half Marathon website. The first thing I saw at the very top of the web page in big, red, bold lettering: “RACE IS 94 PERCENT FULL.”
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What?! The race is 94 percent full? I can’t miss out! FOMO was in full effect. That’s all it took. This clearly illustrates the power of persuasive marketing—I will sign up for just about anything if it’s at 94 percent capacity. Root canals, colonoscopies, tax seminars, half marathons: Where do I sign up? What can I say? — I’m a sucker.
The thought of running thirteen miles really terrified me. As a response to this fear, I trained really hard. I didn’t follow a specific training program, but I had gleaned from friends that I needed to be completing shorter runs (three to five miles) during the week and longer runs (seven to ten miles) on the weekends, gradually building up my mileage as the weeks progressed.
I had some difficulty: The first time I finished nine miles, I did NOT experience that infamous “runner’s high”—rather, I wanted to kill someone and then amputate my legs. The best training advice I got was to “listen to your body” and back off the higher mileage if my legs were screaming (which they were). So I looked for other ways to push myself. In fact, some of my best training took place on a single hill near my house. I would run up the hill, then walk down, run up again and walk back down, and repeat that five times. It wasn’t very long, distance-wise, but it really strengthened my legs.
When the Tinker Bell Half Marathon race day arrived, my goal, first and foremost, was simply to finish. The race rules stated that you had to finish the race in three hours, thirty minutes, or you would be “orange-flagged” and picked up in the Cart of Shame (not its official name) to be whisked to the finish line. The fear of this alone was enough to make me run faster. But based on my training, I was hoping to finish in three hours. Still, I had never actually run thirteen miles all in one go, so I really had no idea how my body would react.
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#WCW Missing my Deej today! @candacecbure 💞 Fun fact: this photo is framed on the back wall of the kitchen set by the stairs.🏡 #FullerHouse
A post shared by Andrea Barber (@andreabarber) on Feb 7, 2018 at 9:13am PST
My friends and I selected special outfits to wear on race day that included glittery makeup, tulle skirts, large fairy wings, and custom tank tops embroidered with “It’s not sweat, it’s pixie dust!” (Because it’s all about dressing up, right?)
We started the race with some light jogging—there were a lot of bodies out there. Before I knew it, though, my friends started running like bats out of hell. As soon as there was even an inch of clearing in the sea of humanity, they were gone. And we were still on the first mile. Whoa, wait a minute, who are you people? We even ran through the first few water stations, which means we were running while trying to guzzle water. That’s when I realized I might actually be running with crazy people. (Or professional athletes disguised as suburban moms.) Hello, adrenaline! That was the only thing carrying me through to keep up with my friends. Needless to say, those first two miles were painful.
Courtesy of Andrea Barber
One of the most difficult parts of trying to keep up with these rabid pacemakers was navigating my way through the slower runners: Oh, there’s a space! Oh wait, that space is gone. Can I really squeeze through there? Oh, what the hell. I definitely whacked no fewer than a dozen people with my wings, just trying to keep my team in sight. (I do feel bad about that.) Fortunately, my friends tempered their expressway pace by mile five or so, after which we were able to run at a much more reasonable speed.
Two miles of the course actually took us through Disneyland itself, which was such a highlight of the day. We ran through some of the backstage areas, usually only accessible to Disney cast members, and saw parade floats and Disney characters. We even spotted the Lost Boys riding the carousel! I anticipated seeing runners taking pictures with the characters, but I didn’t anticipate runners stopping and standing in long lines to take pictures with the characters. (What about the Cart of Shame, people? Snap a quick pic and GO!) Anyhoo, running down Main Street was a trip. The sun had just started to rise, the Sleeping Beauty Castle was in front of us, and the morning had an air of magic.
By mile nine, I was really starting to feel the pain.
One of the best parts of the race was all the spectators cheering for us runners and seeing all of the creative, handmade signs they waved to encourage us. Most were inspirational, like, “Don’t give up! Remember all the reasons why you’re running!” But some were just hilarious, like, “Making this sign took a lot of energy, too,” and “Worst parade ever.” We took pictures with our personal faves.
By mile nine, I was really starting to feel the pain. We had only stopped running once for a quick potty break and walked for a minute or two through the water stations. Aside from that, we had been running the whole way. It was just unreal—I had never run for this long without taking longer walking breaks. I never thought I could physically do this.
At the mile nine marker, the race had set up an energy gel station, so we grabbed our GU and sucked it down. I took this chance to quickly check my phone and read some of the messages people had sent me. I had eighty-two notifications! I was overwhelmed. The combination of GU and feeling all the love from friends gave me a huge surge of energy. I honestly felt better during miles nine through twelve than I did throughout any other part of the race. Never would I have anticipated this kind of lunacy!
At one point I even passed my friends and said, “I found my second wind . . . I’m just going to keep riding it!” We each seemed to experience our highs and lows at different points of the race, which was actually a good thing. When I was dragging and hurting, their determination pulled me through, and vice versa. We were inspired to keep going and to go faster by whoever was having their second wind at the time. Teamwork, baby!
“Runner’s high” does not even begin to scratch the surface.
At mile thirteen, we rounded the final bend from the virtually empty backlot of California Adventure and out onto Disneyland Drive, where there were suddenly hundreds of people—fans, family, spectators, photographers snapping pictures. It was a surreal moment, and suddenly I realized we were in the final tenth of a mile of this race. I looked at my friend Laurie and shouted, “This is it! We’re in the homestretch!” I fought back tears as Revive’s song “Blink” started playing on my iPod—the song that had played at my grandmother’s funeral just a few weeks prior to this race. Everything came together in that single moment as I thought about everything that mattered most in my life: My family. My kids. My friends. The people without whom I never would have pushed myself or believed that I could conquer 13.1 miles. It was a glorious moment, nothing short of amazing. “Runner’s high” does not even begin to scratch the surface.
Lily, Laurie, and I grabbed each other’s hands, and with our arms stretched up over our heads, we crossed that finish line, two hours and forty-two minutes after we started.
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Thank you, Meb, for giving so much of yourself to our sport and running community. You are truly one of a kind. I hope you feel all the love today as you run your final race at the #TCSNYCmarathon! #ThankYouMeb #TYMeb #GOAT
A post shared by Andrea Barber (@andreabarber) on Nov 5, 2017 at 6:19am PST
At the risk of sounding melodramatic, this truly was a transformative experience. It’s hard to put into words; something changed in me out there on that course. To actually accomplish something you never thought you could do, and set a personal record, and create incredible memories with dear friends, and run through the Disneyland castle while the sun is rising behind you . . . well, all of that was pretty darn miraculous.
I guess it’s not all about the glitter and tulle, after all.
It was right about the time that I was finding joy in running that my marriage was falling apart. I didn’t realize it in the moment, but running was about to become my best therapy to help me through the hardest period of my life. After the Tinker Bell race, I was hooked on running and immediately signed up for two more half marathons. These races took place just a few months before the Talk; I firmly believe now that God or some higher being was laying the groundwork for me to use running as an outlet for coping with the shit storm that was brewing.
In the months following the Talk, my anxiety and depression ramped up to high. I was robotic and running on autopilot, a shell of my former self. It took all my strength just to get through the day without falling apart in front of everyone. Running became my lifeline. I needed those endorphins as much as I needed oxygen. I ran to empty my brain of all the constant negative self-talk. I ran to distract myself from the drama taking place in my personal life. I ran to feel like someone other than “Mom” or “Soon-to-be-Divorcée,” even if it was only for a few fleeting hours each week.
We hurt, we cried, we healed. Together.
I was initially drawn to running because I could do it by myself. I don’t have to talk to anyone, and I don’t have to listen, which is soothing for an introvert and actually one of the ways we recharge our batteries. That silent part of my day is an essential piece of my mental well-being. But I have also come to appreciate the therapeutic aspects of social running. My friend April and I trained for a half marathon together, which meant hours of running side by side. Something happens when you run with another person; you find yourself opening up in ways that just don’t happen with other forms of socializing or group exercise. It’s a simultaneous physical and emotional catharsis that I’ve never experienced elsewhere.
Watch: Andrea Barber spoke with Runner’s World after completing the 2016 Los Angeles Marathon.
Often, April and I were too winded to speak and run at the same time, but the conversations that did flow were so open and honest. Topics that would normally be difficult to talk about found their way into our conversations with refreshing transparency. The running seemed to bring dormant emotions up to the surface. April had also been a single mom with three kids for many years—not because of divorce, but because she was suddenly widowed. Although our circumstances differed, we found many of our challenges to be the same. She shared details surrounding the death of her first husband and finding her way as a single mom before eventually finding love again and marrying her high school sweetheart, Tim. She reminded me that happy endings can be born out of the darkest of circumstances. Similarly, I shared feelings about my grief and divorce that I hadn’t ever been able to articulate before. The urge to communicate about this with her felt overwhelming, as if my words had suddenly gained momentum and couldn’t wait to come out. The running was strengthening our bodies, yes, but we didn’t expect that it would also strengthen our bond as friends and confidants. We hurt, we cried, we healed. Together.
Kimmy Gibbler Is All Grown Up: ‘Fuller House’ Star Andrea Barber on TV’s Iconic Weirdo
More than two decades after she said goodbye to the San Francisco Painted Lady that housed the Tanner family on Full House, Andrea Barber, wearing a bacon and egg scarf, is walking up to the front door again.
It’s been just as long since Barber, known for playing the unapologetically offbeat BFF Kimmy Gibbler on the series, last acted. She left show business the day she said “Adios, Tannerinos!” and finished her eight years filming the T.G.I.F. family classic, which will launch its revival, Fuller House, on Netflix this Friday.
“I was really nervous,” Barber says. “I thought, ‘I haven’t done this in a long time. Can I still do this?’”
For her first shot in 21 years the actress, now with kids of her own, turned to her on-screen daughter, flashing that same bacon and egg scarf—the kind of quirky garment that Gibbler, a ’90s fashion grenade bomb, would wear all these years later as an adult. Before Barber could even get her first line out, the audience exploded with laughter at the ridiculous—and oh-so-Kimmy—scarf.
Barber was caught so off guard that she forgot her first line. “I was excited, like, oh my gosh, they still love Kimmy Gibbler!” Barber laughs. “But I was also like, crap! I forgot my first line.”
Jitters quickly subsided and it was smooth sailing from there for Barber, who reunites with Full House co-stars Candace Cameron Bure (D.J. Tanner) and Jodie Sweetin (Stephanie Tanner) to lead the revival series that also sees fan favorites like Bob Saget, Dave Coulier, John Stamos, and Lori Loughlin occasionally stop by.
(As has been made exhaustively clear by this point, Mary-Kate and Ashley Olsen do not reprise their roles as Michelle in the series.)
“It’s just like muscle memory,” Barber says of returning to the show. “It’s bringing this character back to life who’s been dormant inside of me for 20 years.”
When Full House ended in 1995, Barber, who was 17 at the time, was ready to return to normalcy—as much normalcy as could be afforded a child star on a nationally syndicated sitcom that would end up airing on various cable channels in perpetuity almost immediately.
She studied English literature at Whittier College. A semester studying abroad in Copenhagen led to an internship with the United Nations in Switzerland, where she would develop a passion for international education. She would end up getting a master’s degree in women’s studies from the University of York in England, and returned to Whittier to be the assistant director of international programs.
Guys, Kimmy Gibbler got smart.
“My life over the past 20 years has been pretty normal except for the occasional fan who’s like, ‘Why do you look familiar to me?’” she says. “Of course, that’s getting bigger and bigger now with the hype for Fuller House. People now remember my name. It used to be, ‘Did we go to church together?’ Or, ‘You look like that girl from that show, what’s it called?’ Now it’s like, ‘Oh my god you’re Andrea Barber from Fuller House, which comes out February 26th.’ They know the details by heart.”
For the past 10 years, Barber has been a stay-at-home mom for her two children.
As her children grew during that time, so did our culture’s obsession with nostalgia, to the point that fan campaigns for old favorite TV shows saw casts reuniting for a slew of revivals: Arrested Development, Girl Meets World, 24, and, most recently, The X-Files. Fuller House will kick off a year that will also see reboots of Gilmore Girls, Twin Peaks, and Prison Break.
Uncle Jesse himself, John Stamos, observed this trend and, keen to “milk the nostalgia factor,” as he joked, tried to get a Full House revival off the ground for roughly six years before the Netflix opportunity presented itself. He noticed that actors embracing old franchises was no longer deemed—at least not in every case—sad or desperate. It was something that fans were clamoring for.
“I think the rise of social media helped tear that down,” Stamos told The Daily Beast last fall. “I think these shows like Kimmel and Fallon and Funny or Die where everybody’s taking the piss out of themselves helped, too. It’s great.”
Stamos serves as an executive producer on Fuller House, along with Jeff Franklin, who created the original series—wait for it—29 years ago. It was Franklin who helped woo the original cast back for the Netflix series, though for Barber, it didn’t take much convincing. “I didn’t even hesitate a beat to say yes,” she says.
Her kids were at an age when she could take on something like this. She was still friends with the cast; her enduring friendship with Candace Cameron Bure is what the hashtag #friendshipgoals was made for. More, it just sounded fun.
The premise of the series is that, after D.J.’s husband dies, leaving her to raise her three boys on her own, Kimmy and Stephanie move into the old Tanner house with her to raise their families together, much like their uncles did back in the ’90s. The one hiccup: neither Barber nor Sweetin acted regularly over the last 20 years.
“Honestly, I wasn’t sure how it was going to play out,” Stamos admitted to us last fall, when Fuller House was still in production. “I don’t know why or how but not a beat was skipped.”
Barber says Franklin even got her and Sweetin an acting coach, which they declined.
“We played these characters for eight years as kids,” Barber says. “Like I said, it’s like muscle memory. It’s like learning a language as a child. You become fluent so easily and that lasts a lifetime. I feel like we were pretty fluent in these characters.”
As with all these recent revivals, the return of Fuller House was met with groans from a contingent weary of these reboots. Among Full House’s fans however, the squeals of glee are loud enough to drown out the Scrooges.
Even the set, which was unveiled to the pilot’s live audience with a curtain drop, got its own deafening entrance applause during filming.
“Every time a new cast member made an appearance, we had to hold for so many minutes while the audience screamed,” Barber says. “I felt bad for the poor babies who played little Tommy, the youngest on the show. They were just freaked out. They had no idea what was going on. Like, ‘Why is this room full of people screaming right now?’”
Actors who become so closely identified with shows like Full House historically have a complicated relationship with that legacy and their career-long ties with those characters. Cast members of Boy Meets World, Saved By the Bell, and more have talked about their frustrations trying to break away from the characters that defined their early careers, only to learn to embrace the nostalgia later down the road.
Even Stamos said, “I fought it for a long time after Full House.” Years later, “I can now embrace all of it and feel very good about it,” he said.
Barber says she never had any desire to escape the legacy of Full House or Kimmy Gibbler, chiefly because of how positive the experience of shooting the show was for her. She attended public high school throughout production, and, in hindsight, marvels at how the show went above and beyond to make sure that could happen.
When a taping fell on the night of her senior prom, the producers reworked the schedule so she could pretape her scenes and make it to the tail end of the dance. “My date came to set and we took pictures in front of the fireplace in the living room,” she says. “You don’t see that in Hollywood, producers worrying so much about kids having normal experiences like going to the senior prom.”
“I think it’s hard for child actors when you leave a show that’s been such a major part of your formative years. There’s a hole when the show wraps,” she continues. “So it becomes what do you fill that hole with? For me, it was education and my family. Having kids and stuff outside of Hollywood to fill my life. That’s when I think child actors struggle the most, when they have emptiness and don’t know what to fill it with.”
Looking back on the character she played and ultimately fell in love with, she can’t help but navel-gaze about what made her resonate with fans so much.
She was, in a way, the female answer to Steve Urkel, the unwanted oddball who inserts herself into the life of the family she wishes she was a part of, basking in the feeling of being at home even if the family doesn’t always want her there. From a critic’s eye, you could even say there was something a bit profound about Kimmy and the confidence she had where so many other quirky outsiders would be insecure.
“She’s just so uniquely Gibbler and she makes no apologies for it,” Barber says. “As much as people make fun of her, there’s a lot to learn from her about confidence and being who you are and making no apologies. I think a lot of teens grow up with insecurities in trying to figure out who they are. Kimmy knew from a very early age who she was and she embraced that.”
It’s rewarding and, in the grand tradition of Full House’s teaching moments—cue the twinkly music, folks—to see someone painted the misfit and strange to grow up to be, on Fuller House, a successful businesswoman, a good mother, and, ultimately, happy.
And to have gotten a grip on that whole wardrobe, too.
Barber remembers during the original Full House days that the cast was allowed to take home some of their characters’ wardrobes. Cameron would leave with armfuls of dresses that were, at the time, stylish, but Barber would be stuck picking through Kimmy’s ludicrous ensembles and going home with just a pair of pants.
Now, Kimmy’s wardrobe is a hipster-meets-Etsy Pinterest dream. Bacon and egg scarves, donut purses, kitty kimonos: Fans are already reaching out wondering where they can buy pieces they’ve just seen in the trailer for Fuller House.
“I’m loving modern-day Kimmy Gibbler’s wardrobe,” Barber says. “Man, if they would ever let me keep that stuff I’d take them up on it this time around because it’s a lot cooler than it was in the ’90s.”
In some regards—and certainly Netflix hopes—Full House might be, too.